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My social view of
the purpose of theater in any society that wishes to consider itself
well-balanced and productive is to provide the shared experience,
that extraordinary coming together of a group of strangers and, by
that act, losing their strangeness.
|
RESUME
| OFF-BROADWAY | ||
| Synergy (staged reading, dir. David Petrarca) | Deb | Playwright’s Horizons |
| Mirandolina (dir. Lou Jacob) | Mirandolina u/s | The Pearl Theater |
| The Seagull (dir. Shep Sobel) | Maid; Nina u/s | The Pearl Theater |
| The Country Wife (dir. Shep Sobel) | Lady Fidget u/s | The Pearl Theater |
| OFF-OFF BROADWAY | ||
| The Accidental Activist (dir. Michaela Hall) | Kathryn, etc. |
The New 42nd St. Theater Six Figures Theatre Festival The Connelly Theater |
| The Song of Songs (dir. Daniel Goldstein) | Ensemble/Violin | Greenwich Street Theater |
| Scott and Zelda (dir. Gina Kaufmann) | Sara Murphy | Wings Theater |
| Aphrodite’s Dungeon | Tina, etc. | Looking Glass Theater |
| The H.R. Project (dir. Alexandra Aron) | Stephanie | Peculiar Works Project |
| REGIONAL | ||
| Two Rooms (dir. Jesse Bush) | Lainie | Kitchen Theatre Company |
| Vanya/Vermont (dir. Jason Jacobs) | Sonya | Vermont Stage Company |
| She Stoops to Conquer | Kate | St. Michael’s Playhouse |
| The Accidental Activist (Austin Critics Table Nom.) | Kathryn | National Tour |
| A Child’s Christmas in Wales (dir. Peter Flynn) | Mrs. Thomas | Vermont Stage Company |
| Sylvia (dir. Stephan Golux) | Sylvia | Vermont Stage Company |
| Waiting For Godot (dir. Mark Nash) | Lucky | Vermont Stage Company |
| A Christmas Carol (dir. Christopher Schiario) | Fan/Belle/Martha | The Public Theater |
| A Streetcar Named Desire (dir. Mark Nash) | Stella | Vermont Stage Company |
| Midwives (dir. Jim Gaylord) | Charlotte | Vermont Stage Company |
| June Moon (dir. Laura Margolis) | Edna | Stageworks |
| Amadeus (dir. Blake Robison) | Venticello #1 | Vermont Stage Company |
| Much Ado About Nothing (dir. Blake Robison) | Margaret | Vermont Stage Company |
| Merry Wives of Windsor (dir. Mark Ramont) | Anne Page | Champlain Arts Theater |
| Our Country’s Good (dir. Mark Nash) | Mary | Northern Stage |
| The Baby Dance (dir. Brooke Wetzel) | Wanda | Northern Stage |
| All In the Timing – Sure Thing | Betty | Northern Stage |
| Antigone | Antigone | Seattle Public Theater |
| The Tempest | Miranda | Artists Repertory Theater |
| FILM | ||
| 6x6: Deception | Gwen (featured) | Candleboy Films |
| The Accidental Activist | Kathryn | Tamsina Films |
| Maybe It’s Me | The Date (featured) | Caseworks Productions |
| The Apartment (Bessie Award, Best Short) | Woman (lead) | Candleboy Films |
| My Mother’s Early Lovers | Anne (featured) | Off the Grid Productions |
| 20th Century Everyman | Elena (featured) | Hammerhead Productions |
|
TRAINING AND OTHER ITEMS OF INTEREST |
||
| Lysistrata Project Co-Founder | ||
|
Artistic Associate, Vermont Stage Company |
||
| Yale University: Independently-designed BA in Theater and Environmental Studies | ||
|
Naked Angels Theater School: David Marshall Grant – scene study and playwriting |
||
|
The Actors Center: Janet Zarish – scene study. Chris Bayes - clowning |
||
|
Skills: violin, guitar, mandolin, dulcimer, recorder, yoga, Balkan music, and many, many, many dialects |
||
PIX
 Two Rooms |
 Two Rooms |
 Two Rooms |
|
Vanya/Vermont |
A Child's Christmas in Wales |
Sylvia |
|
She Stoops To Conquer |
A Streetcar Named Desire |
Waiting For Godot |
|
A Christmas Carol |
West With The Night |
Our Country's Good |
