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January
20, 2006
So the other night, the Bill T. Jones/Arnie
Zane Dance Company came to Burlington's
Flynn Center
to perform Blind Date, their new work about
patriotism, honor, valor, the Dangerous State Of Things, etc...
Afterwards, there was a panel discussion
with Bill T. and four panelists, who had been given a preview DVD of the
piece. Each panelist had 3 minutes to offer a response, and then they
opened the floor up for questions.
The four panelists were an author, a Lt.
Col. from the Army, a Unitarian minister, and me.
Personally, this was a huge opportunity, as
I've never had the chance to tell a Really Famous Person Whose Work I
Admire how much I like their work without coming across like a raving
dork (see Kathryn's Raving Dork History: Abraham, F. Murray;
Guthrie, Arlo; and Patinkin, Mandy.).
So, for your
dining and dancing pleasure, here is my
response to Blind Date, as read aloud to Bill T. Jones Himself.
Oh, before you read this, here are 10 things
you need to know about the piece in order for my response to make more
sense:
-
There is a recurrent theme of Bill T. (who
plays a powerful, corporate shill sucking an unwitting young man into
the military) trying to cut down on his smoking.
-
Bill T. often dances with the unwitting
young man he's sucked into the military.
-
One of the dancers is a woman from Turkey
in a gorgeous red dress who tells a story about how the crescent moon
- traditionally a powerful symbol of femininity, peace, virginity,
etc... - has been co-opted as a powerful symbol of war.
-
One of the dancers is a man from Taiwan
who talks about the sadness of coming from an unrecognized country.
-
Bill T. tells a story about a man saying
to him that he wants to see more rage on stage. He tells this story
repeatedly throughout the piece. He also repeats that he's afraid
he'll die for the wrong reasons.
-
There's live drumming, and a lot of yoga
in the choreography.
-
Also in the choreography: People calling
out "Me!" and falling down. Everyone runs over and tries to catch
them.
-
Many Solos Of Rage And Despair take place
within the confines of a yellow rectangle taped to the floor of the
stage.
-
Dark and insidious ducks make frequent
appearances on the stage. It's a metaphoric "sitting duck" thing.
-
One of the inspirations for this piece is
an academic/military essay about the stages of war, and how we're
entering the 4th stage where we reach a vanishing point between
civilian and military, war and peace, etc..
A
Love Letter to Bill T. Jones and His Gang In The Middle of This, Our Blind
Date
January 15, 2006
The Stage
Flynn Center For the
Performing Arts
Burlington, Vermont
United States
North America
Earth
Milky Way Galaxy
Universe (or one of ‘em)
Eye of God, Womb of Goddess,
or Back of Turtle – you pick
Dear
Bill and The Gang (and I am hereby claiming the word “gang” for describing
peaceful collectives, just as I am re-claiming the word “theatre” away from
describing any place where war is being waged),
First
off, I really hope this is a good letter, because I doubt I have the
strength or the stamina to make love to each and every one of you
individually.
Second, I just gotta say
to Bill: I loved the military-industrial complex pas-de-deux. Wicked
clever. You totally earned your MacArthur on that one.
Ok, so,
Everybody – Bill and The Gang – this has been a great date so far. You’re
really smart and funny and creative and HOT and I think we have a lot in
common.
And
believe me, I completely understand about the smoking. It really is this
weird hybrid – a bad habit crossed with a powerful addiction…and a little
something else. Something totally easy, kind of gross, falsely reassuring,
and just a wee bit too enjoyable for our own good.
Sort of
like our acceptance of war. We have so been meaning to cut down, and
somehow, we never quite do. We never manage to break that habitual,
half-conscious choice to fire up. To fire back.
Now, I
know conventional wisdom would say that violence is inherent in human
nature, and these evolving phases, these generations of war, are the
inevitable result.
But I
don’t buy it. Do you?
(I
guess this is where we, as Folks On A Date, have to figure out if our values
mesh enough for hope of a long-term relationship.)
I mean,
I’m not a naïve loony, I know violence is inherent in human nature, but must
it be inherent in human culture? We can choose nurture over nature. I have
to believe we can. I have to believe that sooner or later we’re going to be
brave enough, mature enough, wise enough to say, “You know what? We’re
done. War is just not an acceptable option anymore. We know choosing peace
is going to be hard and dangerous and we’re going to make mistakes, and
blood will most likely be shed anyway, but we’ll probably make a whole lot
fewer mistakes and shed a whole lot less blood than if we keep bombing the
snot out of each other, so listen up people because This Is It! We’re
stealing back the crescent moon! Deal with it!”
And
this is why (and I hate to say this on a first date ‘cause it makes me sound
really needy and stalkerish), but this is why I love you. Why I hope you’ll
call me. Soon. Because I think what you offered up tonight, what you said
with your bodies and danced with your voices and sang with image after image
was an athletic, audacious, precarious defiance of the inevitability of
war. You’ve made the outrageous choice that no matter what happens, you
will side with peace.
You
know, I think we’re already at the point in the dating process where we have
the Big Talk about What We Really Want.
Why
not? So, here’s what I want. Remember that guy who wanted to see more rage
on stage? Of course you do. Well, me too! But I don’t mean victim rage.
I don’t mean powerless, consuming, collapse-into-my-bed rage. I mean
warrior rage! But I don’t mean violent, striking out, vengeful warrior
rage. I mean love-warrior, dance-warrior, song-warrior, truth-warrior,
drum-warrior, leaping yoga warrior rage – and you did that! That’s what
blossomed up flew out flooded thundered and shattered my heart tonight!
That’s
why we’re so perfect for each other!
In
fact, I want to see MORE more rage on stage! More rage that we have
accepted endless, insidious, inexorable war. More rage over
election-stealing and fundamentalist-courting and SUV-driving and global
warming-ignoring and poor people-screwing (that’s poor people getting
screwed, not screwing each other) and patriotism-co-opting!
I want
loving, brilliant, in-spite-of-our-fear rage that spills off the stage – and
this is a little retro/60s/Living Theatre of me I know, but I want it
caroming like a medicinal force of nature, like the holy, healing version of
a natural disaster. I want a righteous, sanctified, unstoppable lovequake
that will thrum us out of our disastrous fake yellow boxes of security, wash
over us in a mighty wave of benediction, pour out of our mouths in a sacred
vow of hope and send us – right now – into the streets shouting, “We can
start over! We can start over! We can start anew!”
See,
this is why I get a little nervous on a blind date. I know I can be
slightly intense. But so can you! Another reason why we’d be so good
together!
I
should wrap this up. I don’t want to overstate my case.
You
know, I don’t know the day The Duck of Death will come quacking for me.
That’s a date to which I am happy to remain quite blind.
I hope
that it’s an endless, perfect day. I hope I die for all the right reasons,
wearing the best red dress in the world. Maybe, if I have time, I’ll even
shave my head. Because the bald girl dancer looks very, very cool like
that, and I would love to die looking that cool.
But
even if it’s for no reason at all, or if it happens on the Vanishing Point
Day when war has become indistinguishable from peace, and civilians from
soldiers, and the field of battle from the whole wide beautiful world, I
will offer up my soul and consider it a life well-lived if – just once – I
have nourished a heart, a stage, a tiny unrecognized country with a speck, a
flick, a moment of the gravity-defying, back-bending, star-spangled hope
that you’ve given me.
I don’t
know if we have a future together, Youall and I. But for now, right now,
here at the end of this blindingly magnificent date, I promise that when you
dance, I will dance. When you speak the truth, I will repeat it. When you
hold out your hand, I will take it. When you walk, I will walk along in
time. And when you call out, I will catch you when you fall.
With
one sweet kiss, I wish you good night.
Love,
Kathryn |